Chapter One
To make honey, young bee needs young flower.
-- Mr. Miyagi, The Karate Kid
The year was 1984, the evening of my tenth birthday, inside
the Dixieland Roller Rink, also known as the local Rec
Center. The basketball nets were up, the disco ball was
down, and it was a Free Skate Friday night.
I wore my brand new Gloria Vanderbilt jeans with the
hot pink piping and my favorite lavender-colored roller
skates with the clear plastic wheels carefully decorated
with sparkly, puffy silver star stickers and tried my
best not to fall on my face as I coolly attempted to skate
along to Queen's "Another One Bites the Dust,"
which was blasting through the speakers as the disco ball
overhead spun in tune with the beat. I was on the outskirts
of the skaters, avoiding the center of the rink, where
the teenagers were doing advanced spin moves and wearing
satin short shorts.
"Another one down, and another one down...Another
one bites the dust..."
My birthday cake, topped with pink gel icing and a decorative
plastic pink roller skate, sat on one of the long tables
by the Ms. Pac Man and Frogger video games. I was ignoring
(read: desperately trying to get the attention of) Kevin
Peterson, my fourth-grade crush, who wore a very cool
red Members Only jacket and black roller skates as he
leaned against the roller rink rail. He, in turn, was
doing his best to ignore me, a sure sign that he, too,
felt the unspoken attraction between us. We were so blatantly
ignoring one another that it should've been obvious to
anyone that we had serious chemistry.
"Another one down and another one down..."
Kevin was by the rail where I should be, because it's
hard to look cool wobbling about with your hands outstretched
like wings, trying to keep your balance. If I fell, my
too-tight, pre-the-invention-of-spandex jeans would rip
straight down the rear seam in what would become a serious
Therapy Moment. Luckily, I had on my training bra underneath
my rainbow baseball T-shirt, which, as anyone knows, wasn't
so much a support garment as it was a status symbol. It
screamed, I don't have boobs yet, but they're on the way.
I glided to an awkward stop about ten feet from Kevin,
under the pretense of adjusting my silver laces. I turned
my back to him in order to complete my cool indifference,
and to offer him a view of the strap through my T-shirt,
so that if he was so inclined, he could come and snap
it. But Kevin was too cool to resort to bra-strap snapping.
He, in fact, had sisters. And a boy with sisters was far
more advanced in terms of romantic strategy. He was what
you would call a fourth-grade ladies' man.
I noticed for the hundredth time how much he looked like
a younger version of Ralph Macchio. I'd seen The Karate
Kid somewhere in the neighborhood of six times, partly
because I had a small crush on Ralph Macchio, and partly
because our town's one-screen movie theater played only
a single show for two months at a time. Our small Southern
town didn't offer the newest movies, or the newest anything,
which accounted for the song selection at the local roller
rink.
For a whole week, I went about talking in broken English
like Mr. Miyagi ("Mama-san, Miyagi no do dishes"
and so on), and stopped only after my mother, Vivien,
threatened to ground me until I was fifteen. Still, standing
so close to Kevin Peterson, I couldn't help but wish that
I could conjure Mr. Miyagi and some of his wisecracking
advice.
"Another One Bites the Dust" came to a close,
followed by that awkward moment of the fade-out of a song,
when the skaters paused in their moves, waiting for the
next beat. My heart pounded in my small rib cage, and
I wasn't sure if this was because of the proximity of
Kevin Peterson or the fact that I had downed one too many
"Suicides." This was my cocktail of choice at
age ten: a mixture of all the fountain drinks at the snack
counter. The drink had enough corn syrup and caffeine
to keep me awake for three days.
After a second of silence, the opening chords of the
theme song to The Dukes of Hazzard piped in over the speakers
in a triumphant blare. A cheer went up from the free skaters.
Everyone loved this song. It was, after all, the unofficial
theme song for Dixieland (that is, Dixieland, Arkansas,
population 10,230) and current Southern Pride, even if
it came from a show that seemed to bolster all the ignorant
southern stereotypes. At the Dixieland Roller Rink, it
was a hit.
Even Kevin Peterson, stoic, cool, immobile Kevin Peterson,
pushed himself away from the wall; he was going to join
the skate. As he did so, he caught my eye, a perfect and
subtle end to the Ignoring Phase of our courtship. This
was a pivotal moment. He looked at me. He was about to
extend his hand, to offer me a holding-hands skate, which
was practically one step from a declaration of going together.
My mind raced ahead: First, going together. Then, going
steady. Then, we'd be married and incredibly wealthy (Kevin
would be a self-made millionaire industrialist and I'd
be an internationally known freelance journalist -- like
Robert Wagner and Stephanie Powers on Hart to Hart). We'd
have a grizzly but lovable butler named Max and we'd tolerate
his insolence because he was grizzly but lovable and he
talked nonstop about how generous we were. Like on Hart
to Hart, Kevin would wear expensive suits, and I'd wear
impractical heels and big floppy hats, and we'd fly around
in our private jet solving murder mysteries with the help
of our scruffy dog, Freeway.
I was thinking of us, Max, and Freeway as I reached out
to take Kevin Peterson's hand, which would seal my romantic
destiny forever, when Grandma Saddie (short for Sayoku)
and my mother, Vivien, appeared from nowhere, carrying
a giant Tupperware tray full of foul-smelling sushi and
pickled vegetables.
"Birthday treats!" Vivien cried, oblivious
to the fact that she, wearing her slick black hair in
a teased helmet, blue eye shadow on the lids of her almond-shaped
Asian eyes, along with pencil-straight jeans, gold platform
shoes, and matching elastic gold belt with the butterfly
clip buckle, was Ruining My Life As I Knew It. The tray
she and Grandma Saddie carried was stacked high with little
cucumber rolls and inari (what Grandma called "footballs"
for their shape) -- fried tofu sacks filled with sushi
rice -- and what seemed like mounds of Japanese pickled
cabbage, squash, and ginger, and a good helping of dried
fish -- ordered especially for the occasion from San Francisco
-- which all together gave off the powerful odor of toe
cheese.
Now, in the privacy of my own home, away from the questioning
eyes of Kevin Peterson, I would gladly have devoured the
sushi and pickled treats. But under his gaze, as I saw
the look of horror and surprise as the pungent combination
of smells reached his nose, I found myself frozen with
mortification.
"Ew," he breathed, his nose wrinkling, his
calm exterior for the first time showing cracks. "WHAT
is THAT?"
He could have meant anything -- the neon-yellow pickled
radish, the dried shreds of fish that look surprisingly
like shriveled monkey claws, the "footballs,"
which, in the roller disco light, looked suspiciously
like cat livers.
"Have a bite," my mother insisted, her Asian
features hopeful. "Come on, we made all your favorites."
Kevin Peterson looked at the tray of food and then at
me and declared, "You eat that stuff? Gross!"
Vivien and Grandma Saddie would've been better off offering
me the chilled monkey brains from Indiana Jones and the
Temple of Doom. As I watched, helpless, Kevin Peterson
skated away from me as if he'd been stung, never once
looking back, dashing forever my dreams of drinking champagne
on our private jet as we laughed over the misfortunes
of the evildoer we'd just put in jail.
"What is wrong with you, anyway?" Vivien asked
me, when I clambered out of the rink, pouting, my skates
catching on the carpet skate-free zone, the voice of Waylon
Jennings singing "And that's just a little more than
the law would allow" echoing in my ears.
Copyright © 2005 by Cara Lockwood
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